“The Oboe is a Duck,” Catamaran Literary Reader, Vol. 12, 4: Fall 2024.
“The Memory of Water,” Terrain.org, 2024.
“Between Water and Sky,” Los Angeles Review, 2023.
“Only the Moon Comes Back,” Artwife, 2023.
“Queen Failure,” Two Hawks Quarterly, Spring 2023.
“Sprachstudium (Language Studies),” Split Lip Magazine, 2021.
“Bone Garden,” EcoTheo Review, Autumn 2021.
“Fly Season,” Fiction Southeast, 2019. (Best Small Fictions 2020)
“City-Craft as Poetic Process in Elizabeth Barrett Browning’s Aurora Leigh.” Victorian Poetry 52.4 (2015): 621-638.
“Spectacle and Surveillance in Émile Zola’s Au Bonheur des Dames.” Dix-Neuf, 19.2 (2015): 130-143.
“Rebellious Types: Missing Bodies and Artistic Afterlives in George Sand’s Horace” in Royalists, Revolutions, and les Misérables: France in 1832. Ed. Eric Martone. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.
“Workers and Wives as Legible Types in Eugène Sue’s Les Mystères de Paris.” Nineteenth-Century French Studies 41.1-2 (2012): 66-79.
Funerary Arts and Tomb Cult: Living with the Dead in France, 1750-1870 by Suzanne Glover Lindsay. Nineteenth-Century French Studies 42.1-2 (2013): 154-155.
Mademoiselle de Maupin by Théophile Gautier (ed. by Anne Geisler-Szmulewicz). Nineteenth-Century French Studies 37.3-4 (2009): 331-32.
The Libertine Colony: Creolization in the Early French Caribbean by Doris Garraway. E3W Review of Books 6 (2006): 33-34.
The Color of Liberty: Histories of Race in France by Sue Peabody and Tyler Stovall. E3W Review of Books 5 (2005): 51-53.